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THE RIGHT GARDEN (Lee Holdridge / Molly-Ann Leikin / Jane Olivor (m & l) ) As sung by Jane Olivor 1978 < Stay The Night > You're nowhere now, barely gettin' through Each time you failed took some part of you It made you feel that you would never succeed But soon you'll have the magic you need. You've got to find the right garden to grow in Where the right kind of raindrops will fall And the hope in your heart's comin' from knowin' Someday you'll find it after all. Those deep sad eyes see a trail of tears You've come so close, so many years Your dusty shoes don't know which path to pursue But on you go, as if you always knew. You've got to find the right garden to grow in Where the right kind of raindrops will fall And the hope in your heart's comin' from knowin' Someday you'll find it after all. The wind will change as it has before You'll face the dark and try once more And when the clouds you'll see, the sun streaming down And you will stand on your own special ground. Then you'll have found the right garden to grow in Where the right kind of raindrops will fall And the hope in your heart's comin' from knowin' Someday you'll find it after all. Someday you'll find it after all. Notes: Jane Olivor, an American, was a popular cabaret singer but also performed at Carnegie Hall and other large venues in her career. She is perhaps best known for her duet with Johnny Mathis LAST TIME I FELT LIKE THIS, THE Jane Olivor was warmly followed by her fans throughout her performing years (1970s until 2009, which encompassed a 10 year hiatus). During that time, her work comprised 10 albums, not a large number as compared to other artists, however they showcased a surprising poignancy, emotion and vulnerability in her crisp, clear voice. Many who attended these cabarets felt that she had great stage presence, a touching style and a very personable way of connecting with her audiences, that endeared her to them forever. It has been said that Jane was one of those unique performers that, had you not been a Jane Olivor fan at the outset of her performance, it was impossible that you would not be, by the time she was finished. One of the USA's national newspapers referred to her intimate cabaret appearances as 'love ins'. (Transcribed by David Story- April 2014)

    


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